I had tried all sorts of tricks to get decent photos with my
previous camera, a Sony DSC-P72; photographing things outside in
various weather conditions (a lot of hassle!), tungsten floodlights,
various white-balance settings. But nothing really did the trick. So
after some months, by which time I was in a state of near-despair, I
finally decided to spend some serious cash on a more professional
camera. The Olympus C8080WZ attracted my attention because its
predecessor, the C5050 consistently got good reviews and was said by
many to the the "king of low light conditions", with superb colour
reproduction. So I spent £600 on the latest incarnation of the
camera, from Amazon.
I didn't quite realise how new
the C8080 was and I've had to wait a couple of weeks for the
manufacturer to release it. When it arrived, the first thing I noticed
was the weight. This is almost the only bad thing I have to say about
it; it is not a camera that I would take hiking or that you could carry
around in your pocket, but then if you're buying something as serious
as this you wouldn't expect it to be. It feels, looks and weighs like
most people's idea of a professional camera.
The camera comes with a 32 MB memory card, and a rechargeable battery
which seems to take about 5 hours to charge and lasts pretty well.
When you press the 'on' switch, the camera starts up almost
instantaneously - less than a second. Start-up is MUCH faster than with
my cheap and cheerful Sony DSC-P72, or at least I have that impression,
although I haven't ever timed it with a stopwatch. My Sony had a habit
of deciding it was no longer in-use and powering down, following which
I'd have to wait for it to start up again. No such trouble with the
Olympus; it doesn't power-down completely unless you switch the
power-saving mode on, and when you switch it on there's no waiting
about.
I was very anxious to see if the C8080 reproduces the colour
gradients
in my paintings which the Sony had failed to do. So I tried it
immediately in the subdued daylight in my living room, in
point-and-click mode. The initial results with so little preparation
and understanding were pretty good; far better than with my Sony, in
fact. Red looks like red, orange looks like orange, and the colours
in-between are pretty accurate too, as were all the other colours.
Having said that, the photo looked a little washed out, but considering
I had just switched the thing on and pointed it in the right direction,
I wasn't too worried.
The camera comes with the usual USB software, so I had no trouble
connecting it to my Windows 98 laptop. Software is provided, but I
prefer to just install the USB driver so that when I connect the
camera, I can navigate to the photos as though they were on my computer
hard-drive. I found that with my old camera, how the images look on the
LCD screen really bore little relation to how they looked on my
computer. No such trouble with the Olympus C8080WZ; the LCD screen
appears to be a fairly accurate reflection of how the image will
actually look when you transfer it to a computer. An additional
important benefit is that you can store the image on the camera in a
variety of formats; the compressed jpeg formats look pretty good but I
opted to use an uncompressed TIF format, which produces massive files
if you use the default image size, but reasonably-sized images if you
change to 640 x 480 pixels which is perfect for me. The camera will
store about 32 images on the included 32 MB card at this setting but of
course you could store a lot more if you were happy with a compressed
format.
There is also a "quick-view" button, so that you can view the photo
you
have just taken without switching to "playback" mode. This is a real
time-saver. When you take a photo with the Olympus, the actual photo
you have taken appears briefly on the LCD so that you can see if
something's obviously wrong with it. If you want to check it further or
compare it to previous photos, you can press the quick-view button to
see it. You can also scroll through previous photos.
The really great thing about the Olympus is that you can opt to have
varying degrees of control over all its settings - all the way from
point-and-click mode, which is pretty impressive itself, to setting the
aperture and shutter speed values yourself. Something else that I find
very useful is the "one-click" white balance adjustment. If you are
taking photos under something other than daylight, you can compensate
for the off-white colour of the lighting in a variety of ways. You can
use various presets, or you can set the white-balance yourself all the
way from bluish to reddish, or you can point the camera at a white
surface and have it automatically determine the white balance setting
on the basis of that. The LCD fairly accurately represents the setting
you have chosen.
The camera has the usual automatic digital modes; landscape,
portrait,
night-time, etc, and also has a "shutter priority" mode where you set
the shutter speed and the camera adjusts the aperture value
automatically. There is also a "aperture priority" mode; same thing but
the other way round. But I found manual mode the most useful for my
purposes. I can place the camera on a tripod in my dimly-lit art studio
and play around with the shutter speed while leaving the aperture value
and other settings as they are. That allows me to take photos of my
work which look like they were taken in bright sunlight!! Absolutely
fantastic.
Here's an example of a red-orange painting (and remember that I am not
a professional photographer and haven't owned this camera for very
long)
www.mistgallery.co.uk/art/main/sunlight.jpg
and here's an example of a blue painting, also taken with no additional
lighting and no flash, in fairly dim daylight;
www.mistgallery.co.uk/art/main/moonlight.jpg
You can even set the contrast, saturation, hue and sharpness of your
images. Overall, I have to say that I'm very impressed by the camera
and expect to make my money back on it pretty quickly, since I can now
take quality images of my work under the poor light conditions in my
studio.
I can't yet report on how the camera is under other conditions, but my
brief experiments of photographing my friends outdoors or snapping
things indoors under both natural and artificial light, seem to
indicate that it's pretty hot stuff. I will try to post some sample
photos soon.
John Purcell
www.mistgallery.co.uk
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